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・ The Bellingen Shire Courier-Sun
・ The Bellingham Business Journal
・ The Bellingham Herald
・ The Bellmaker
・ The Bellman (film)
・ The Bellmores, New York
・ The Bellotron Incident
・ The Bellrays
・ The Bells
・ The Bells (1911 film)
・ The Bells (1918 film)
・ The Bells (1926 film)
・ The Bells (1931 film)
・ The Bells (album)
・ The Bells (band)
The Bells (Billy Ward and His Dominoes song)
・ The Bells (Fluke song)
・ The Bells (Nils Frahm album)
・ The Bells (Old Kingdom)
・ The Bells (play)
・ The Bells (poem)
・ The Bells (symphony)
・ The Bells (The Originals song)
・ The Bells and Whistles
・ The Bells Go Down
・ The Bells Line
・ The Bells of Aberdovey (song)
・ The Bells of Dublin
・ The Bells of Freedom
・ The Bells of Hell Go Ting-a-ling-a-ling


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The Bells (Billy Ward and His Dominoes song) : ウィキペディア英語版
The Bells (Billy Ward and His Dominoes song)

"The Bells" is a rhythm and blues song written by Billy Ward and Rose Ann Marks and recorded by Billy Ward and The Dominoes in 1952, featuring Clyde McPhatter on lead tenor. It was released on Federal Records as the B-side of the group's single "Pedal Pushin' Papa". It was a bigger hit than the A-side, reaching #3 on the R&B chart. ("Pedal Pushin' Papa" charted #4 R&B.)
==James Brown version==
"The Bells" played an important part in the early careers of James Brown and The Famous Flames. In their performances on the chitlin' circuit the group would act out the story of bereavement told in the lyrics, pushing a doll representing the dead woman across the stage in a baby carriage. As they passed Brown, he would fall to his knees crying and sobbing, eventually segueing into "Please, Please, Please". The routine was so popular that audiences sometimes became violent if they tried to performed the song without it.〔Smith, R.J. (2012). ''The One: The Life and Music of James Brown'', 88. New York: Gotham Books.〕
Brown recorded "The Bells" in 1960 as his first single for King Records. It reached #68 on the ''Billboard'' pop chart.〔White, Cliff (1991). "Discography". In ''Star Time'' (pp. 54–59) (booklet ). New York: PolyGram Records.〕

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